Tag Archives: graphic medicine

Anti-Racism Matters in Graphic Medicine, Too

Comics by African American Creators

There have been a lot of posts coming out with anti-racism reading lists, even some for comics and graphic novels. With the push this week to support #BlackPublishingPower and #BlackoutBestsellerList, I’d been thinking it would be good to have something for Graphic Medicine folk along the same lines.

Then this morning, I saw the Nib’s newest, In/Vulnerable: Zenobia – Largo, MD. This is one part in an amazing series the Nib is doing in partnership with Reveal from The Center for Investigative Reporting on how inequities and disparities are impacting health outcomes and experiences in the COVID-19 pandemic. Sure sounds like graphic medicine to me, doesn’t it? I hope they publish this in book form so I can get a copy for our library.

I read Zenobia’s story about her daughter with cerebral palsy, who worked in a grocery store. A grocery store that didn’t provide PPE for their staff. And her daughter died of COVID-19. My son grew up with what was called special needs, also, and, like Zenobia’s daughter, Leilani, he works in a grocery store. Not a big one like Giant Food, but a small coop in an upscale community. It’s really different. Staff have and use PPE, my son is sanitizing carts and baskets and places people touch things. Reading In/Vulnerable this morning was one of those moments. It just hit me, and I started crying, and had trouble stopping. I probably could use a mental health day, I guess, and you know what? That’s an option for me. That’s available to me. And somehow that doesn’t make this any better. My son wanted me to go watch cat videos, and I said, no, let me try to do something that might help instead. Even if it isn’t enough, ever, and can’t possibly be.

I’ve done posts before on social justice in comics, so you can start here: 45 Graphic Memoirs and Graphic Novels on Social Justice Themes. Right now, I’m still working from home (more privilege), and most of the books I have that would count for this are in the office, which hopefully explains the photo at the opening of this post. Because I blur social justice issues and the boundaries of graphic medicine, this might be a little loosely defined, but here are some titles I’d like to share with you at this time, in this context.


A COMIC ANTHOLOGY

Book: APB: Artists against Police Brutality, A Comic Book Anthology

I’ve been collecting comic anthologies for a research project, and let me tell you, this one is not well enough known. Go. Buy it. Read it.


BEN PASSMORE

Book: Your Black Friend, and Other Strangers

About prejudice, stigma, stereotyping, privilege, and sort of a core in the anti-racism comics canon.

Book 2: Sports is Hell

Believe it or not, this one is actually about rioting. Fancy that.


EZRA CLAYTAN DANIELS

Book: Upgrade Soul

An exploration of identity, mortality, and disability through a science fiction lens.

Book 2: Are You at Risk for Empathy Myopia?

Free online, but for sale if you want a print copy.


JOEL CHRISTIAN GILL

Book: Fights: One Boy’s Triumph Over Violence

A graphic memoir examining violence in the life of African American youth.


RUPERT KINNARD

Book: B.B. and the Diva

A brave outrageous early work of fiction LGBT superheroes, of a sort.


LEROY MOORE

Book: Krip Hop Nation

Exploring and honoring the power of spoken language arts and music through a lens of disability activism.


SAMI BRICE

Book: Waiting

A rather peculiar exploration of the concept of waiting in our lives.


TEE FRANKLIN

Book: Bingo Love

What does it mean to love someone when society says you aren’t allowed to be with them? What does it mean to love someone when you are finally allowed to be with them? What does it mean to love someone through aging, loss, and beyond?


TONY MEDINA

Book: I Am Alfonso Jones

Powerful. I can’t try to explain it without choking up. Go read the publisher’s description.


WHIT TAYLOR

Book: Madtown High

I’d recommend her book Ghost, except it isn’t available. This is another good one, graphic memoir exploring teen life.

See also:
New Podcast: Reconciling the Public and Private in Health Comics with Whit Taylor


OTHER BOOKS IN THE PHOTO

These might not count as graphic medicine, but they are by Black creators.

Bayou, by Jeremy Love (a daughter vows to save her father from being lynched)

Captain America: Truth by Robert Morales and Kyle Baker.


MORE

FYI, the Graphic Medicine Confab series starts TONIGHT (yay, Kriota!), and the presenter for the June 30th session is Joel Christian Gill, mentioned above. And there is a Comics as Resistance with Bianca Xunise event happening on Friday (which I know about thanks to Whit Taylor retweeting Radiator Comics).

15 Black Comics Artists Whose Work You Need to Read

Black Lives Matter Comics Reading Lists: BCALA and the ALA Graphic Novels and Comics Round Table: Black Lives Matter Reading List

Kugali Comics (Africa/Kenya)

We Need Diverse Comics

Comic Creators of Color

Black Lives Matter Comics: The systemic racism of policing in comics

We need YOU! Why Artists Should Make SOME of their Art Free (especially for #GraphicMedicine) #GM2019

Updated July 16, 2019, with livestream info, in-page section links, added a couple content links, corrected a couple typos.


Your Wikimania Needs You
File:Your Wikimania needs you!.jpg by John Cummings https://commons.wikimedia.org/wiki/File:Your_Wikimania_needs_you!.jpg

Trust me, your Wikimania really DOES need you! And that’s what this post is about. I’m here to persuade you that it is worth it to YOU (and to the whole Graphic Medicine community) for artists and creators working in this space to share just one or two representative images of their work. Given that this is not happening right now, I’m sure the immediate reaction is something along the lines of, “Gee, I’d really like to, but, I just can’t.”, “I don’t get how this works, and I’m afraid if I start, people will take advantage of all of my work!” or, “OMG, NO WAY! If I do that, how will I EVER make any money?!? You don’t expect me to work for free, do you?!” Of course, not! This is actually about marketing and helping to draw increased attention to the entire field, which is something that will pay off for everyone. Here’s what I’m thinking. I’m drafting this out as a kind of an FAQ, based on questions that have come up in conversations I’ve been having about this.

QUESTIONS

ANSWERS

Why do I actually need Wikipedia to mention my work?

You’ve noticed when you do a search on just about anything, how in the top five results there is almost always a Wikipedia link? Yeah, that’s why. Also, this.

“Wikipedia averages more than 18 billion page views per month, making it one of the most visited websites in the world, according to Alexa.com, a Web tracking company owned by Amazon.” (Pew Internet, 2015)

If you want people to see your work, to find your work, to buy your work, it really helps if you show up in search results. The top fifteen most visited and most popular websites in 2019, according to SimilarWeb, are Google, YouTube, Facebook, Amazon, Yahoo, [three porn sites], Twitter, Instagram, eBay, Reddit, Wikipedia, Bing, and Craigslist. You are probably already putting some of your content in some of these places, but that doesn’t mean it’s easily found. For comics (and by extension, graphic medicine content), YouTube isn’t the easiest way to show off what you’ve done. YouTube is the #2 search engine on the planet, and a great tool for reaching an audience, but making a video of a comic can be tricky. It’s not easy to search and find content in social media, and Facebook, Twitter, and Instagram seems sometimes to make it difficult on purpose. I could go on at length, but the short version is that Wikipedia is heavily used, and it feeds directly into Google, which is the #1 search engine on the planet. It’s a great way to be found.


So can’t I just make my own Wikipedia page, and put what I want on it?

No. No, you can’t. If you try, they will take it down. Why? Because YOU ARE BIASED about yourself. Go figure. Wikipedia has this policy about neutral content, and they take this extremely seriously.

That’s for you, but it matters also to Graphic Medicine as a field. If you are a big name in the Graphic Medicine field, you probably shouldn’t be editing content about graphic medicine for that same reason. You know all the answers, but you may insert bias into what is supposed to be neutral content.

Here are some tips from marketers (with DOs and DON’Ts) on how to not mess up using Wikipedia for promoting your content.

5 Things to Know Before Using Wikipedia as a Marketing Tool

How to Use Your Wikipedia Page as a Marketing Tool


Surely there’s plenty of graphic medicine stuff in Wikipedia already, right?

If you look in Wikipedia for content around graphic medicine, there’s some. Not a lot. What there is tends to be a little light on content. It’s kind of embarrassing, actually. I mean, how many international conferences have we had? If you look at Wikipedia, you really are going to have trouble telling that Graphic Medicine is a “thing,” that it’s important. We know it is, but how do we show the world that it is?

There’s a few of us who’ve been working hard to try to improve the Wikipedia content around the field of graphic medicine. This involves collaborations, finding partners, learning new skills, and spending time actually doing Wikipedia work. It means helping other people with their projects, and asking them to help with ours. It means proving that you understand Wikipedia’s editing rules and will follow them. It’s work. It’s not easy work. It’s not fast. We can’t do it without your help.

If you look at what graphic medicine content is in Wikipedia, you’ll find very VERY few pictures. Now, explain to me how we show people what our comics are about WITHOUT USING PICTURES? Aren’t pictures kind of the point in graphic medicine?


Why can’t Wikipedia just use my book covers from Amazon?

I wish. That would sure make life easier in some ways. I could just say that Wikipedia has rules saying we can’t do this (which is true), but it isn’t that simple. You see, they have the rules for very good reasons. Wikipedia is truly global resource, and intellectual property laws vary around the world. Even if the law here in the United States (where I am) said it would be fair use to use a picture of the book cover, that doesn’t mean the same is true in other countries.

Wikipedia has very good reasons why they make it a policy to try as hard as possible to only use images with public domain or Creative Commons licensing. Those images are legally safe to use in any country, anywhere around the world. So, your book covers on the publisher’s website? Those might be fair use, maybe, but in general, the idea is let’s not test that if we can avoid it. What they want most for images used in Wikipedia articles are those public domain and Creative Commons images.

“Because we want free content, ideally all images uploaded would be free for everyone, and therefore would be acceptable on our sister project, Wikimedia Commons. Images submitted to Commons are used the same way as images uploaded locally to Wikipedia and are automatically available on Wikipedia—as well as on hundreds of other Wikis run by the Wikimedia Foundation. If you have an image that meets our copyright requirements, please upload it to Commons.” Ten things you may not know about images on Wikipedia


Wikimedia Commons? What’s that? Are their rules different from Wikipedia’s?

What is this Wikimedia Commons? Just the most awesome databank of public domain and Creative Commons images in my experience, with full provenance for each image, sources, detailed information on how to cite that specific image, what kind of credit and attribution you need to provide, what limits are placed on what you can do with that image, and all that good stuff. They also provide images in multiple resolutions, sizes, and sometimes formats. Not just images either, but other kinds of media as well. But images you can find and use in your own art work isn’t why we’re here. Back on topic.

Yes, Wikimedia Commons has their own rules about what images are allowed, just like Wikipedia does. Here are Wikipedia’s rules and their style guide.

For the Commons, the short short version is that it’s okay to add either images you created or photographed yourself or images that are over 75-100 years old, with the extra guidelines that if the image is a photograph of a person, they expect you to get the permission of that person. More on that in a minute. Those are the rules for the images that are straightforward and likely to be legal for anywhere in the world, preferred images. There are grey areas in the rules for things that are sometimes okay (eg. low resolution versions of book covers), and there are types of images they really don’t want (eg. fair use). For the full details on what’s allowed and what isn’t, check the link to their rules. The most important bit to remember is you can upload your own images and decide the permissions for use.


Aren’t there other pictures you can use? You don’t really need mine, do you?

Nope, we really, really, REALLY need your help! Only YOU can share your images, and without examples of your images, how can Wikipedia editors say wonderful things about your work? I have personally searched through THOUSANDS of images in Wikimedia Commons looking for examples that we could use in some of the Graphic Medicine articles on Wikipedia. I found nine. Nine that might qualify. All of them are public domain, and all of them except four were created roughly 70 or more years before the phrase “graphic medicine” became a gleam in Ian‘s eye. Three of those are military, and one is only very superficially related.

Here, I’ll show you. All nine. Whoohoo!

First, here’s the first one that we could use. Wikimedia Commons includes the cover of “The Docs (2010),” publicized as Graphic Novel Helps Corpsmen Cope with Combat-related Stress.

The Docs, a graphic novel by the Naval Health Research Center.

Here’s the second relatively contemporary graphic medicine type of image, also from the US military (this time the Army), highlighting the adventures of “Captain Condom and Lady Latex” in a 1991 era educational comic to help prevent the spread of AIDS.

Shows two streetwise African-American superheroes protecting young men and women from militaristic villains.

Less contemporary (1966), we have a full page from the comic, “A Medal For Bowser,” illustrating the value of animals for research.

Full page from A MEDAL FOR BOWZER.

I’m going to go fast with the others, and just give you small versions of them, but I think you’ll get the idea. These pieces are more of a stretch, as far as being useful for communicating what’s going on in the world of graphic medicine now.

Woman in lab coat recommends self-amputation to a paitent. Cectic (2008)

Comic pokes fun at patent medicinesJudge Rummy (1926)

Jack Benny portrays a doctor selling patent medicines to the unwary.
Medicine Man (1930)

Alien jots notes about the experience of a bedridden human man. Mr Skygack (1907)

Two ladies feel better after soaking their feet in a purchased remedy for corns.Orator Woodward (1900)

A four frame illustration showing the delights and inappropriate humors of laughing gas. Laughing Gas (1800s)

There you go! That’s the visual world of graphic medicine according to Wikimedia Commons! (Unless we help change it.)


We’re only talking about pictures of my art, right? Not pictures of me?

That depends. Are you someone who might someday appear in a Wikipedia article? Yes? Then you might want to consider how you’d like to appear there. Here are the images used for two very influential graphic medicine artists and storytellers, Ellen Forney and Lucy Knisley.

Ellen ForneyLucy Knisley


You keep taking about “Public Domain” images and “Creative Commons” images. What’s the difference?

I’m over simplifying again, but public domain means anyone anywhere can do anything they want with an image. They can cut it, crop it, redraw it, recolor it, convert it into 3d, blend it with other images, make a collage, make a statue, snip out a tiny part and zoom into the details, ANYTHING. Creative Commons does NOT give people full rights to do anything. Creative Commons image licenses have several different types of license, and you get to make these choices. Here are some links to help describe better than I can what some of the issues are, and how making some images Creative Commons can be a brilliant idea, how it can help you as an artist, and how it makes it possible for you to help others.

What you didn’t know about Creative Commons: Creative Commons provides artists with access and raw materials. Big companies benefit too.

“No tool is better than the people”: CC artists in conversation on Collaboration, Community, and the Commons

Jomo Thompson: Is Creative Commons Good for Artists?

Why should I use a Creative Commons License?

How can artists who license their work under Creative Commons make money from their work?


If I make some images available for Wikipedia, what does that mean? Do I have any control over them?

This depends on what license you choose. Creative Commons, the organization, has helpful tools to support you choosing the right license for you, making a decision you are comfortable with. I’m guessing most published graphic medicine artists would want a license that tells people you have to use their name and give them credit for using their images. If you are making an image free, you might want to say that other people can’t use it for anything they sell, or that they can’t modify it at all. There are good reasons to say they can change, and good reasons to say they can’t. That’s a whole other blogpost (or a dozen).


What if someone decides to use the images for something else? Who else can use them, and how?

The short version is that once you make an image Creative Commons, ANYONE can use it. What you control is HOW they use it.

There are some licenses people choose that do say other people can not only use the image, but can change it. Of course, you want people to be able to talk about you and your work in Wikipedia. Having images there also means academics, teachers, scholars, researchers can write and teach about your work and publish about your work without having to get image rights for those images. Teachers can use the images in class, as examples for students, or integrate them in assignments. Other artists might include them in a collage or montage, or might do Andy Warhol-style mashups and manipulations. You can set limits on how far this goes. The most restrictive licenses say the image has to be used exactly as it was provided with no changes, and giving you all the credit each time it is used. They aren’t giving you money, but that’s the only thing they aren’t giving you. The most liberal licenses give people permission to mix and match and mash and generally use your image as a stepping stone to inspire new creativity. And there’s a lot of subtle steps in-between these two extremes.


Are there strategies for sharing images that can protect my copyrighted works and still get something in Wikipedia?

You betcha, but it might mean getting permission from your publisher (or employer, if it was a work for hire). This will depend on any contracts you might have with them, and what rights you’ve given to them. FYI, giving a publisher the rights to a work often means you no longer have those rights. It seems obvious when you say it like that, but it isn’t always obvious to creators that the pictures they drew no longer belong to them.

So, Wikipedia will only take small thumbnails of your book covers. If your publisher wants to have anything higher resolution show up there, you need their help. Another idea is to put in Wikimedia not the final version of an important image but an earlier sketch. You can redraw a scene more simply, or take a small excerpt from a large sketch. The idea is to make the picture different in some significant way from what was copyrighted, and to make this distinction. Of course, you can always use images that didn’t end up being included in the final work, or drawing something new.

If you are considering using an image that’s well known, be sure to check with a lawyer or your publisher/employer to make sure they are okay with your plans and the images you chose. Using a new image means you don’t need anyone else’s permission.

More Questions?

Do you have questions or concerns that I missed? That’s awesome! Add them in the comments or come next Saturday, July 20th, 2019, to an online AMA (Ask Me Anything) at noon Eastern Time. I’ll add the link here once I get the stream set up. Here’s the connection info!

To join the meeting on a computer or mobile phone: https://bluejeans.com/553249603

Connecting directly from a room system?

1.) Dial:
– 1-734-763-1841
– 199.48.152.152 or bjn.vc
2.) Enter the Meeting ID: 553249603

Just want to dial in?

1.) Dial:
+1 734 763 1841 (Last 5 digits from campus)
(US or Canada only)
+1.888.240.2560
International Callers (http://bluejeans.com/numbers)
2.) Enter the Meeting ID: 553249603

Want to test your video connection?
https://bluejeans.com/111

New Year Surprises

You know the line “I Can’t Believe I Ate the Whole Thing“?

Well, I can’t believe how little I’ve been here. I am absolutely SHOCKED that I haven’t blogged in over a MONTH! Of course, this is because I’ve been so gosh all darned busy, both at work and at home. Just briefly, what all is keeping me away is probably of interest to folk.

* MDMLG
* Opioid Overdose Summit
* Microbes and Mood
* Design Lab & Coloring
* PaGamO (Gaming)
* Graphic Medicine
* Librarians & Artists’ Books
* Sleep Trackers


MDMLG

First, a couple days after the last post, I was a keynote for the November meeting of MDMLG (Metropolitan Detroit Medical Library Group). It was a wonderful experience, a great group. I really enjoyed being with them, and by all reports, they enjoyed my talk. There are rumors that I might repeat it locally, and I’ve been pondering maybe repeating it in a Hangout or something for other folk. Maybe. In any case, here are the slides!

But is an Emerging Technologies Informationist a Librarian?


OPIOID OVERDOSE SUMMIT

Dashed away to visit family for the November holiday, dashed back, and immediately was livetweeting the UofM sponsored Opioid Overdose Summit. Another fantastic event! I’ve been working on a big beautiful Storify of the event for the last month, but the Storify platform developed a glitch and ate the whole thing. Unfortunately, the only engineer who MIGHT be able to restore the file from backup is out on vacation for another week, so for now I can offer you links to the UM Injury Center’s agenda, slides in Slideshare, their videos, and the hashtag #uminjuryctr.


MICROBES AND MOOD

The same week, I also livetweeted the seminar, “Gut Feelings: Microbes, Mood, & Metabolism” from the Depression Center’s Colloquium Series. It was a wonderful triple of presenters on how emerging and historic research is revealing connections between our microbiome (the bacteria that live in and on us) impact our own emotions. Powerful and exciting stuff.

I was making a Storify of this, too, but the same glitch (which prevent some content from being inserted and erases other content) has made it impossible for me to finish, so I’m releasing it in the raw form.


DESIGN LAB & COLORING

The following week I worked on various Storify stories in progress and had a bunch of meetings. One of the meetings was with the new Design Lab that lives on the main floor of the Shapiro Library, where we started planning a workshop which will sneakily use the adult coloring craze as a way to teach things like internet search skills, internet security, paper/art/book preservation concepts, some online tools and toys, etc. The workshop is happening next week, and I think it is going to be super cool. Just to whet your appetite, here is an example.

Original image:
Fleming Building at Sunset

Coloring version of the same image:
UM: Fleming


PAGAMO (GAMING)

PaGamO Screenshot

I didn’t livetweet this, but I felt very lucky that I was able to attend the small presentation by Dr. Benson Yeh on PaGamO for education. The lecture was FANTASTIC and was recorded, so I am hoping for a video to be available soon. In the meantime, here are a few links.

Why one professor created the first-ever social gaming platform for a MOOC http://blogs.coursera.org/post/64423209807/why-one-professor-created-the-first-ever-social

ReImagine Education 2015 Wharton Awards: PAGAMO, The World’s First Event Multi-Student Social Gaming, National Taiwan University; Winner: 1st Place E-Learning http://www.reimagine-education.com/the-winners-individual/8/PaGamO

PaGamO: First-ever Multi-student Social Gaming Platform for General Course (SLIDES) http://s3-eu-west-1.amazonaws.com/pedagogical/website/files/theme/awards/winners/slider/pag/Benson_Wharton%20Award_V2.pdf

PaGamO, the world’s first ever MOOC-based multi-student social game platform https://www.youtube.com/watch?v=WKAWPqRtIe0


GRAPHIC MEDICINE

The next day, we had the first EVER meeting of the newly formed Graphic Medicine Interest Group for the University of Medicine. I took notes and lots of pictures, but the pictures did not end up in Flickr when I tried to put them there, so I have to hope they are in my hard drive backup for the phone. In the meantime, here is a picture of some of the graphic medicine titles I keep in my office when I have consults on the topic.

Graphic Medicine & Comics

Books included in this image:

1) REAL, by Takehiko Inoue https://en.wikipedia.org/wiki/Real_(manga)
2) Graphic Medicine Manifesto, by by MK Czerwiec, Ian Williams, Susan Merrill Squier, Michael J. Green, Kimberly R. Myers, Scott T. Smith http://www.graphicmedicine.org/book-series/graphic-medicine-manifesto/
3) The Bad Doctor, by Ian Williams http://www.psupress.org/books/titles/978-0-271-06754-4.html
4) On Purpose, by Vic Strecher http://www.dungbeetle.org/
5) Neurocomic, by Hana Ros, Matteo Farinella http://www.neurocomic.org/
6) Epileptic, by David B. http://nymag.com/nymetro/arts/books/reviews/10851/
7) CancerVixen, by Marisa Acocella Marchetto http://www.nytimes.com/2005/04/14/books/a-vixen-cartooning-in-the-face-of-cancer.html | http://www.penguinrandomhouse.com/books/107478/cancer-vixen-by-marisa-acocella-marchetto/9780375714740/
8) Can’t We Talk About Something More Pleasant, by Roz Chast http://www.nytimes.com/2014/06/01/books/review/roz-chasts-cant-we-talk-about-something-more-pleasant.html
9) Second Avenue Caper: When Goodfellas, Divas, and Dealers Plotted Against the Plague, by Joyce Brabner and Mark Zingarelli http://boingboing.net/2014/11/30/second-avenue-caper-when-good.html | http://www.cleveland.com/books/index.ssf/2014/11/joyce_brabner_creates_a_graphi.html
10) Diary of a Teenage Girl, by Phoebe Glockner http://stamps.umich.edu/creative-work/stories/phoebe | http://www.npr.org/2015/08/13/431997207/a-diary-unlocked-a-teenage-coming-of-age-story-put-on-film
11) The Spiral Cage, by Al Davison http://the-toast.net/2014/11/03/disability-and-the-work-of-al-davison/
12) Understanding Comics, by Scott McCloud http://scottmccloud.com/2-print/1-uc/
13) Oh Joy, Sex Toy, by Erika Moen http://www.graphicmedicine.org/comic-reviews/oh-joy-sex-toy-2/ | http://www.ohjoysextoy.com/
14) Chop, Sizzle, Wow, by The Silver Spoon and Adriano Rampazzo. https://www.forewordreviews.com/reviews/chop-sizzle-wow/ | http://www.phaidon.com/store/food-cook/chop-sizzle-wow-the-silver-spoon-comic-book-9780714868202/


LIBRARIANS AND ARTISTS’ BOOKS

A few days later, in between my frantically working on the Storifys and an article deadline, I was doublebooked to livetweet two lectures, and had to pick one. So, I picked the one that was related to the library and was being presented by friends and colleagues. It was incredible, and again I took lots of pictures that are hopefully on that other hard drive. I had been hoping to enrich the Storify with those, but that isn’t going to happen until Storify fixes their bug with inserting links into story streams. So, here is another partially completed Storify, this one on the amazing artists working in the library making phenomenal art books. Beautiful.


SLEEP TRACKERS

Pebble Pals

Last but not least, we finished and submitted our article on sleep trackers for consumers and how they may or may not be useful in healthcare. It was an exciting and rewarding project, but I don’t want to say too much until we hear if the article is accepted. It was a LOT of work, and we compared many dozens of devices and tools. Learned a lot, and I hope the article is accepted. I must confess, I found it ironic that my own sleep tracker (Pebble + Misfit) quit working over the holiday. Color me perplexed.

NOW YOU UNDERSTAND?

So you can see why I was so busy I wasn’t getting blogging done? I’ll be a little absent for a while yet, still, since I have a few presentations next week, and piles of meetings coming up. But I’ll have to tell you all about what I’m doing with comics and hashtags and coloring in a future installment. And the weird Storify glitch that is supposedly only impacting me and one other person. Hope you all had a great holiday and end-of-the-year, with expectations of a Happy (and productive and fulfilling) New Year!

Comics, Graphic Medicine, and Creating Stigma Awareness: A Panel

Comics, Graphic Medicine, and Creating Stigma Awareness

Last week I mentioned this year’s Investing in Ability events, and that I’m involved with one. Well, this is it! Friday afternoon you can join us to talk about “Comics, Graphic Medicine, and Creating Stigma Awareness.”

The panel includes:

* Susan Brown of the Ypsilanti District Library, who coordinates their Graphic Medicine collection;
* David Carter of the Duderstadt Library, who coordinates the University of Michigan Libraries’ Comics and Graphic Novels collection;
* Anne Drozd of the Ann Arbor District Library on their comics, webcomics, and related collections and activities; AND
* Lloyd Shelton, of the Office of Services for Students with Disabilities.

Each of the librarians will talk about how stigma, stereotypes, and bullying are portrayed in their collections, with Susan focusing on Graphic Medicine, Dave on mainstream comics, and Anne on indie and manga. Lloyd will respond to they stories they highlight from the point of view of a person with disabilities. This promises to be a phenomenal event, and I hope you can join us:

October 16, Friday
Hatcher Library, Gallery (map)
3pm-5pm

The event is in an accessible location, and will be audio-recorded.